the sky lit up


EMMANUEL / 17 / AUCKLAND


flocles:

Fallen Angels, Wong Kar Wai (1995)

aquavelva:

"David Byrne used to run away from me when I was 17. “Psycho Killer,” my ass. He would see me and he’d run."
- Lydia Lunch

aquavelva:

"David Byrne used to run away from me when I was 17. “Psycho Killer,” my ass. He would see me and he’d run."

- Lydia Lunch

narciste850:

Hosokura Mayumi - スターライトラブクリタル exhibition

paintdeath:

Tracey Emin - Fuck You Eddy (1995)
The text of the monoprint reads: 'There was Eddy - he was 26 - I was only 14 - He took me to the Naland Rock and fuked [sic] me/ He was pathetic - 2 seconds and it was over -'. 

paintdeath:

Tracey Emin - Fuck You Eddy (1995)

The text of the monoprint reads: 'There was Eddy - he was 26 - I was only 14 - He took me to the Naland Rock and fuked [sic] me/ He was pathetic - 2 seconds and it was over -'. 

spurlex:

Azealia Banks - Heavy Metal and Reflective. Full song!

Download: http://d.pr/QNxT/4FU58J9s

Twitter.com/Spurlex

(187,110 plays)

fruitprincess1997:

Siberia, National Geographic 1990

(Source: beingsinthedream)

navisis:

Portrait, 1928
Florence Henri

navisis:

Portrait, 1928

Florence Henri

bellusverus:

Jean Michel Basquiat

bellusverus:

Jean Michel Basquiat

extrememusicfromjapan1994:

I hate kids and marriage

shihlun:

Francis Alÿs, The Green Line, 2004.

In 1995, Francis Alÿs realised an action in São Paolo called The Leak in which he walked from a gallery, around the city, and back into the gallery trailing a dribbled line from an open can of blue paint. This action was reprised in 2004 when he chose to make a work in Jerusalem. Using green paint, Alÿs walked along the armistice border, known as ‘the green line’, pencilled on a map by Moshe Dayan at the end of the war between Israel and Jordan in 1948. This remained the border until the Six Day War in 1967 after which Israel occupied Palestinian-inhabited territories east of the line.
Though palpably absurd, and greeted by onlookers with some bewilderment, Alÿs’s action of dribbling green paint behind him raised the memory of the green line at a time when the separation fence was under construction to the east of the green line. He later encouraged various commentators from Israel, Palestine, and other countries to reflect on his action, and their voices, sometimes sceptical, sometimes approving, can be heard while the video of his action is screened. Most importantly Alÿs wanted to ask what the role of poetic acts could be in highly charged political situations, while acknowledging that the relation of poetics to politics is always contingent.

shihlun:

Francis Alÿs, The Green Line, 2004.

In 1995, Francis Alÿs realised an action in São Paolo called The Leak in which he walked from a gallery, around the city, and back into the gallery trailing a dribbled line from an open can of blue paint. This action was reprised in 2004 when he chose to make a work in Jerusalem. Using green paint, Alÿs walked along the armistice border, known as ‘the green line’, pencilled on a map by Moshe Dayan at the end of the war between Israel and Jordan in 1948. This remained the border until the Six Day War in 1967 after which Israel occupied Palestinian-inhabited territories east of the line.

Though palpably absurd, and greeted by onlookers with some bewilderment, Alÿs’s action of dribbling green paint behind him raised the memory of the green line at a time when the separation fence was under construction to the east of the green line. He later encouraged various commentators from Israel, Palestine, and other countries to reflect on his action, and their voices, sometimes sceptical, sometimes approving, can be heard while the video of his action is screened. Most importantly Alÿs wanted to ask what the role of poetic acts could be in highly charged political situations, while acknowledging that the relation of poetics to politics is always contingent.

(Source: christyl-meth)

Plaid // Lilith (feat. Björk)

(Source: bobnintendo)

(42 plays)

kinyoubi:

Björk by Takashi Homma